Bernice Bobs Her Hair

Bernice Bobs Her Hair is a series of layered soft ground etchings, drawings and monotypes. Starting from the biased idea and normative use of marginalised graphic procedures as a means of reproduction, the idea of repetition is explored. In tandem, Mabesoone recoups visual languages that have habitually been coded as ultra-feminine and trivial. She questions how these ambiguous and subversive aesthetics can gain authority, and destabilise or resist contemporary realities and dominant cultural constructions.

The publication in collaboration with Posture Editions contains new poems by Veva Leye and a republication of Trimmings by Harryette Mullen.



A touch of Folly/Soft contours suggest pliancy so um — Old Molly Metcalfe — Pig Cupid's Rosy Snout (aleatoric form) — BH — Pynken Sheer — Flappers and Philosophers — Ethical Floristry — Black Cat Psychic TV — Orgy-porgy Bumble-puppy — Penny —Crop Bob Anomalies — Scopic Economies — Milkweed Goldenrod & Violet's False Indigo Verbena














πŸ’— Installation shot of Bernice Bobs Her Hair at The Wunderwall, Antwerp, a project of PLUS ONE GALLERY & Gallery Sofie Van de Velde, picture by Elke Van Kerckvoorde


 πŸ’— Installation shots of Bernice Bobs Her Hair at Fons Welters, Amsterdam 


πŸ’— Installation shots of Bernice Bobs Her Hair at Island, Brussels
Pictures taken by Emmanuelle Indekeu, scanning by Fotorama 






πŸ’‹πŸ’‹πŸ’‹πŸ’¦

                                                                                                                                         πŸƒπŸ©
 





No delicacies, such superfluities — Acupunctured dewdrop pals — State of being/Pink Steam  Le ruban au cou d'O — Minima Moralia —Burned orange beginning with an F, a puckering up — What's luv (transformative tails) — A bit too much of that affective force babe — Pull My Daisy II — Fabricated soft ground edge on MDF — Grooming Parlour Version One — Hounds of Love — B, Glorious

πŸ’— Installation shot CLUB TERMINUS, curated by Max Kesteloot (w/ Ricardo Passaporte and Simon Laureyns)

 


πŸ’— WUNDERWALL (details)